Three Reasons Music Recording Engineers are Having a Hard Time Finding Work

Having a hard time finding work in the Music Industry as a recording engineer?

There is three big reasons why - the economy, technology and the Internet. These three factors have played a huge part in the loss of work for engineers, and here is why.


The Economy

Yes, a lot of people may think that the economy would not affect the music industry as much as it does, but in some cases it may be effected by the economy even more than most industries.

The music industry relies on people having extra money, and when times are tough, people don't buy CD's or go to concerts; a band that spends $4000.00 a year to have their CD recorded, if they can't afford it anymore than the engineers, producers and studios suffer.


As long as the economy is not doing good or even when it bounces back, if it's still at an unstable state or at least in a rescission state, the cycle will continue and it will be hard to find people who are willing to record their band or their self to make a CD that might only sell a few hundred or even a few thousand copies.

The economy also affects record labels and production companies as well. Record companies and productions companies are the financial backing to a lot of work that comes available to studios and engineers. They can pay for studio time that an artist or band may not be able to afford, but if sales down, then they will be restricted to how much funds they can use to promote a talent.

Technology

Technology is great for the D.I.Y. (do it yourself) people, but for a recording engineer it makes trying to get work very hard. Technology is making it capable to have a small home studio with big professional results at an extremely affordable price.



A studio that could have been put together 15 years ago for about $50,000.00, can now be put together in someone's garage or basement for just about $5,000 dollars, and believe or not, it can sound just as good.
Even worse for the engineer, if you're just a solo musician or a really small band, it can take even less money and even less space. Hand held recorders, computer software, compact MIDI keyboards, MP3's, flash drives etc. are just some of the products playing a part in taking the need of an educated, experienced engineer out of the equation.

The Internet (Information World)

Here is the third and final nail in the coffin for the independent recording engineer. If you have access to all of the equipment mentioned above and more, and want to learn how to use it, the internet has unlimited resources to learn from. Although, there are some things you just can't pick up from reading or watching videos - if you stick with your hobby long enough, you might just be able to be just as good as a professional without the need for schooling or an internship.


Adjust Your Game Plan
Just think about some of these factors when you go out looking for work. Understand, it might not be you or your talent that hurts your chances of getting work, but it could be that the Music Industry is changing and recording engineers are suffering from it. My suggestion to everyone is to see how the industry is changing and change with it. Find out where and how other engineers are making their money in the industry and adjust your game plan.

 

Recording A Great Album: The Golden Rules 7-13 of 37

Preparing to Record

7. Be early! At some studios, the clock starts running whether you're their or not. Find out about their cancellation policy.

8. Make the studio a comfortable relaxed place. If it's not, it will show in your finished product. Most studios will have your basic essentials, but if you need something special or special accommodation, it's up to you to make those arrangements.

9. Make sure you and your engineer have the same vision - go over your songs with him/her before recording. Before booking your studio time, ask to hear other material the engineer recorded. If artist/band and engineer are on different pages, it can be costly for who ever is paying for the studio.

10. Depending on whether the/you studio has 8, 16, 24, or 48 track capability, plan out how you will leave room for all of the essential parts. This should simplify the mix and eliminate the need for bouncing tracks later.

11. Use new strings, chords, drums sticks and heads - and bring spares.

12. Find out the hours of the local music store just in case. Most studios might be able to hook you up with some spare equipment, but you will want to use your style and brand for the perfect outcome.

13. Don't use new gear or different equipment that you haven't used before, "even if it's better than what you have." Surprises can cause problems and just because it's better does not me it will make you play better.

Rule of thumb - if you wait till the studio clock is running to tie up loose-ends it's like throwing money in the garbage. And one more misconception: hangovers and efficiency do not mix.

Recording Engineer Advice: Use a Schedule to get the Most Out of Your Days

If you're a freelance audio recording engineer, chances are you do not have a clock to punch everyday. You are your own boss and you're basically free to pick and choose when you want work. This is one of the advantages to working for yourself, but it could also be a disadvantage that could hurt freelance business.

It's easy to put things off and get to them later or tomorrow, but in this type of business where time can be money, if you're not motivated to get work or find clients you could essentially be losing money.

So how do you make sure you don't find yourself in this situation?
 
The best thing you can do to stay motivated and on top of your work is to create a schedule.

I create a schedule at night before bed, this helps me get right up in the morning and get right to work. But creating one at the beginning or end of the week, like on Sunday, for the whole week ahead may work even better.

I found that writing one for a whole week doesn't work for me because some days I would accomplish more or less than what was scheduled for the day, and by time the end of the week comes my schedule would be all fouled up. So instead of fixing the schedule everyday, I just write an all new list at the end of each night.

I also found that knowing that I had a schedule to get to every morning would actually get me up a little earlier. The motivation of crossing some things off my list and putting prospects of making some money on the table makes me feel good and motivated.

Without a schedule I may not even bother heading right to work, I may fart around with some T.V., use the internet to search non-audio recording related topics, basically just waste time until something pops in my head that has to be done. You can easily drain away a half of day watching pointless U-Tube videos.

The point is the benefits of not having to punch the clock everyday are great, but if you don't think of your business like a job than you might-as-well make it a hobby and get a 9-to-5 to pay the bills.