31. Listen in the studio to CD's you're used to hearing on your home stereo to get an ideal of how the studio's system sounds.
32. If mixing somewhere other than the recording studio you recording in, try and make sure you use the same type of speakers and set-up. If you don't, the mix will sound completely different.
33. Once you have selected an engineer (or a producer) to mix your recording, have them do the first mix. Their ears are better trained than yours. Try to keep an open mind and try to learn from the person you're paying.
34. Think about the songs as a whole and don't signal out instruments, otherwise everyone will want their instrument louder in the mix.
35. Determine a band spokesperson ahead of time. An engineer getting five different opinions on how to mix will grow tired and might cause him/her to rush through the job.
36. Decide which format you want the finished mixes to be on: high resolution .wav or .aiff files on CD-R, DVD-R, or flash drive are the preffered formast, however an audio CD or DAT are viable options as well.
37. Budget and account for unforeseen delays.